Market Analysis Report: Analyzing the Future of Online Steaming Services through a Critical Lens
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Market Analysis Report: Analyzing the Future of Online Steaming Services through a Critical Lens

This report presents a concise comparative analysis of online streaming platforms for music distribution. The study examines prominent platforms such as Spotify, Apple Music, Amazon

Music, and others, focusing on key factors like content availability, user experience, pricing models, and artist-centric features. The findings highlight the growing popularity of streaming services as the primary mode of music consumption and their impact on the music industry.

The report offers valuable insights to stakeholders for understanding market dynamics and

making informed decisions in the digital music landscape.


1. Executive Summary

In-depth research of the music industry is provided in this market analysis report, including market share data, an industry overview, market segmentation, competitive analysis, growth drivers, difficulties, and emerging trends. The report seeks to help SwaLay comprehend the

workings of the music business so they may make wise business decisions and take advantage of new prospects.

Due to the rising popularity of online music streaming and the availability of affordable

digital platforms, the market for digital music distribution services is expected to experience rapid expansion. During the projection period, a CAGR of 13.1% is anticipated for the

market. The report highlights significant facts like the rise of independent artists and the

expansion of music streaming platforms. To keep their customer base, the report advises

industry companies to expand their platforms' features, such as

personalized content and user-friendly interfaces. Additionally, involving independent

artists and expanding one's global reach is essential for business expansion.

The market for Digital Music Distribution Services (DMDS) is expected to grow at an

unparalleled rate between 2023 and 2030, with a projected CAGR of 13.1%. Both

indirect and direct distribution are available in this sector. Direct distribution refers to artists selling their music directly to customers instead of indirect distribution, which entails making music accessible through a third party, such as Internet stores. Record labels and

independent music producers make up the two market segments.

The DMDS market is significantly influenced by legal and regulatory aspects. For instance,

copyright violations are a big problem for all parties involved, including producers,

performers, and record labels. Along with disrupting established distribution strategies, the

rise of major tech companies like Apple and Spotify has created new legal and regulatory issues.

Overall, as more musicians and record labels switch to digital media, the DMDS market

is expected to expand in the years to come. This rise will probably also be fueled by the

advent of cutting-edge technologies and distribution strategies. To prevent potential hazards

and sustain a competitive edge, stakeholders must closely monitor regulatory and legal developments.

As a result, to stay competitive and safeguard their interests, businesses working in

this sector must navigate a regulatory environment that is getting more and more complicated.


2. Introduction

The music industry is made up of many different sectors, such as recorded music, live performances, music publishing, streaming services, and others. Due to recent technological

breakthroughs and shifting consumer preferences, it plays a large part in world entertainment and has undergone tremendous changes.

Over the past ten years, the market for digital music distribution services has experienced significant expansion. The principal participants in this market are CD Baby (Disc Makers),

Distrokid, ReverbNation, LANDR Audio, Believe, RouteNote, ONErpm, Ditto Music,

FreshTunes, Musicinfo, Record Union, Spinnup (Universal Music Group), Kobalt, United

Masters, Amuse, Octiive, Symphonic Distribution (Topple Track), iMusician Digital, The

Orchard (SONY), Horus Music, and Kanjian Music.

Along with other artist services, CD Baby, ReverbNation, and Ditto Music provide music distribution services. While also providing artist services, Distrokid and ONErpm primarily

concentrate on distribution. Along with mastering services, LANDR Audio offers distribution services. While Spinnup is a Universal Music Group-owned distribution service, FreshTunes,

Musicinfo and Record Union concentrate primarily on distribution services.

To help artists get greater visibility, music distribution firms like Kobalt, United Masters, and

Amuse also provide improved services including marketing and data analytics. Symphonic

Distribution (Topple Track) offers sync licensing and distribution services, allowing musicians to have their music used in commercials, TV shows, and movies.

One of the major participants in this sector, The Orchard (SONY), offers distribution services, artist services, and sync licensing services. Chinese music distribution is the main

emphasis on Horus Music and Kanjian Music's primary market in Asia.

These businesses support the expansion of the market for digital music distribution services by giving all types of musicians simple access to and affordable solutions. They provide a

range of services, including marketing, analytics, and sync.


Sales revenue for a few of these businesses includes:

● $500 million - Kobalt

● $100 million for CD Baby

● $50 million - Distrokid

● $15 million for ReverbNation



CD Baby has employed several tactics to establish itself as a prominent player in the music distribution market. Here are some key strategies they have employed:

1. Artist-Focused Approach: CD Baby has prioritized the needs and interests of

independent artists. They offer a user-friendly platform that allows artists to easily upload and distribute their music. CD Baby provides a comprehensive range of

services, including distribution, manufacturing, licensing, and promotion, tailored specifically for independent musicians.

2. Extensive Distribution Network: CD Baby has developed an extensive network of

digital music platforms and stores to distribute artists' music. By partnering with major streaming services like Spotify, Apple Music, and Amazon Music, as well as

digital download stores, CD Baby ensures that artists' music reaches a wide global audience.

3. Music Monetization Opportunities: CD Baby provides multiple avenues for artists to

monetize their music. They offer revenue streams through digital sales, streaming royalties, physical CD sales, sync licensing, and YouTube monetization. This

comprehensive approach allows artists to earn income from various sources.

4. Artist Promotion and Marketing Tools: CD Baby offers artists a range of promotional

tools and resources to enhance their visibility and reach. This includes marketing and

branding assistance, access to promotional opportunities, social media integration, and

analytics to track their music's performance.



More artists are adopting these services to release their music globally, which is driving the market for digital music distribution services to expand rapidly. These players are in

fierce competition with one another, each providing distinctive services to take some of the market share.

The following graphs show the overall and distributional analysis of the Global streaming music subscription market, and it is quite evident from the very first graph that there is a paradigm shift from YouTube to Spotify in the last few years. This shift tends to highlight the

dynamic nature of online streaming services which are now emerging at a high-paced rate.



According to Statista's data for 2021, Spotify holds the leading position in the global music

streaming market, with a subscriber share of 32%, followed by Apple Music, Amazon Music,

and Tencent Music, each with 16%, 13%, and 13% respectively. As of the second quarter of

2020, Spotify had amassed an impressive 138 million premium subscribers. In 2019, the

music streaming industry recorded a substantial $11.4 billion in global revenue. Notably,

Spotify's expansion to Eastern Europe in 2020 has enabled its presence in 92 countries worldwide.

Spotify's success can be attributed to several key factors that set it apart from its competitors.

First and foremost, the platform offers a vast and diverse selection of music, featuring not only renowned artists but also underrepresented indie musicians, appealing to a wide range of

musical tastes. Additionally, Spotify's strong focus on personalized recommendations

provides users with stellar suggestions, enhancing their music discovery experience.

Another significant draw for Spotify users is its curated playlists, which cater to various moods, genres, and occasions. These playlists are carefully curated by experts and algorithms,

creating a unique and enjoyable listening experience for subscribers.

In contrast to the audio streaming trend, live audio streaming, as attempted by Clubhouse in

2020-2021, has not gained as much popularity. Despite initial attention, Clubhouse's presence

has diminished over time, while Spotify continues to thrive as a dominant player in the music streaming industry.

In summary, Spotify's success can be attributed to its extensive music library, personalized recommendations, and thoughtfully curated playlists, making it a preferred choice for music enthusiasts worldwide. Additionally, its strategic expansion and wide geographic coverage

have contributed to its remarkable growth and market leadership.


3. Growth Challenges and Drivers

a) Digitalization and Streaming: The transformation of the music industry from physical

formats to digital streaming has improved revenue potential.

b) Global Reach: social media and digital platforms have made it possible for artists to

connect with fans around the world.

c) Live Performances: The growing popularity of live music events like concerts and festivals

has a substantial financial impact on the sector.

Challenges:

a) Piracy and Copyright Infringement: Illegal downloads and unauthorized distribution

continue to be a problem for income generation.

b) Revenue Sharing: Issues surrounding equitable payment and revenue sharing between

streaming platforms, labels, and artists continue to be divisive.

c) Market Saturation: It is difficult for musicians to stand out due to the abundance of music

content and rising competition.


4. New Trends and Possibilities:

a) Streaming Services: As streaming platforms continue to gain popularity, labels, artists, and

customers will all benefit.

b) Artificial intelligence (AI) and music suggestions: Personalized music recommendations

enabled by AI improve user engagement and experiences.

c) Augmented reality (AR) and virtual reality (VR): Immersive technologies open up new

possibilities for interactive music experiences and live performances.

d) Blockchain and Smart Contracts: Blockchain technology can help the music industry with

transparency, tracking royalties, and copyright administration.


5. Music distribution services are experiencing several notable trends in the

Market

a) Focus on Data Analytics: Music distribution services are increasingly utilizing data

analytics to provide valuable insights to artists and record labels. By analyzing listener

behavior and consumption patterns, these services can offer detailed information about

audience demographics, popular songs, geographic preferences, and more. This data helps artists and record labels understand their audience better, tailor their marketing strategies, and

make informed decisions regarding their music releases.

b) Expansion of Distribution Channels: To maximize the reach and visibility of music,

distribution services are expanding their distribution channels beyond traditional platforms.

In addition to digital music streaming platforms, services are leveraging social media and

other online platforms to distribute music. This multi-channel approach allows artists and

record labels to reach a wider audience, engage with fans on various platforms, and increase their chances of discovery.

c) Direct-to-Fan Distribution: Music distribution services are increasingly offering

direct-to-fan distribution services, enabling artists to sell their music directly to their fans through their own websites or specialized platforms. This approach gives artists greater control over their music and revenue streams, as well as the opportunity to establish a closer

connection with their fans. By eliminating intermediaries, artists can retain a higher

percentage of their earnings and cultivate a loyal fan base.

d) Emphasis on Artist Services: Beyond music distribution, services are expanding them

offerings to include a range of artist services such as marketing, promotion, and branding.

These additional services aim to support artists and record labels in building their brands,

increasing their visibility, and attracting a larger audience. By providing comprehensive

support, distribution services become strategic partners in the success of artists' careers,

offering a more holistic approach to music distribution and artist development.

e) Blockchain Technology: Some music distribution services are exploring the potential of

blockchain technology to create secure and transparent distribution platforms. Blockchain

technology can provide a decentralized and immutable ledger, ensuring fair and transparent royalty payments to artists and record labels. It also enables streamlined licensing processes and simplifies rights management. By leveraging blockchain, distribution services aim to

address issues of copyright infringement, piracy, and inefficient royalty tracking, ultimately

benefiting both artists and consumers.


6. Sample example: Understanding the dynamics of iTunes distribution over the years

iTunes, an Apple-developed management application, debuted in January 2001,

encompassing a media player, media library, and mobile device synchronization. The

introduction of the iTunes Store on April 28, 2003, marked a significant milestone, witnessing over 25 billion song downloads to date.

While iTunes pioneered the concept of purchasing digital music, it now faces formidable competitors in the digital music market, including Amazon MP3, eMusic, and Google Play,

alongside popular streaming services like Spotify, Pandora, and Soundcloud that offer online music listening. According to Apple, its users spend an average of $12 per year on music.

The music industry experienced a transformative shift, with consumers reverting to the past

practice of buying individual songs, reminiscent of the late '50s and early '60s. This departure

from the traditional album purchase model presented challenges for record labels that had

relied on higher-priced album sales for over four decades.

Previously, consumers were compelled to purchase entire CDs even if they only desired a few songs from them, leading to higher costs for unwanted content. However, with services like

iTunes and Amazon MP3, users can now buy specific songs at a lower one-time cost,

typically, $0.99 per download. Nevertheless, illegal file sharing and P2P networks posed a

challenge to the legal music providers, prompting them to adjust digital song pricing and

implement a new pricing structure.

In April 2009, a flexible pricing model was introduced, allowing users to purchase songs at

different price points of $0.69, $0.99, or $1.29. Additionally, Internet radio services emerged,

where music could be accessed only while connected online.

The digital music landscape has thus evolved significantly, offering consumers a greater choice and flexibility while posing new financial and distribution challenges for the music industry.


7. 2010 - Today: The evaluation of online music streaming services


From 2010 onwards, the music industry experienced a significant shift in consumer behavior

due to the emergence of digital platforms like YouTube, Spotify, and other streaming services.

The internet has played a crucial role in shaping the way people interact with music, and this

trend has only grown stronger over time.

Notably, YouTube became a major platform for music consumption, particularly among the

teen demographic. Teens began favoring YouTube over traditional radio and television for

discovering new music, with two-thirds of American teens primarily using YouTube to

consume music, as reported by Nielsen's Music 360 report. The platform's free availability

and ease of sharing videos on social media, along with its accessibility on smartphones,

contributed to its popularity.

Record labels also played a significant role in YouTube's success. Initially hesitant to

authorize streaming services like Spotify, labels found YouTube to be a place where users could legally access a vast array of music for free. This mutually beneficial arrangement not

only served consumers and record labels but also provided a platform for aspiring artists to

gain visibility without the need for major label deals.

The rise of YouTube fostered a culture of streamed music consumption, leading to the

proliferation of other streaming services like Pandora and Spotify. These platforms enticed consumers by offering unlimited access to vast music libraries for a monthly subscription fee.

In the streaming model, users don't own the music, but its availability anytime anywhere reduces the need for storage on their computers or devices. Many of these streaming services

also offer a "freemium" version, allowing users to access music for free with occasional advertisements. While this model attracts users, the challenge lies in converting free users to

premium subscribers. Streaming services derive a significant portion of their revenue from

subscriptions and pay royalties to labels, publishers, and performance rights organizations.

This financial aspect creates uncertainty for the future of some streaming services. As

consumers continue to embrace streaming as the primary mode of music consumption, the

industry faces ongoing challenges in striking a balance between free and paid offerings while ensuring sustainable revenue for artists and platforms alike.


Conclusion:

As a result of digitalization, streaming services, and shifting customer preferences, the music

industry is still developing. For SwaLay to successfully traverse the industry, it is essential to

comprehend market dynamics, including market share numbers and rising trends. SwaLay

can establish itself as a dominant force in the field of music distribution by utilizing growth drivers, overcoming obstacles, and investigating new chances.

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